Actually, I’m a huge fan of Contemporary Christian music. Not all of it hits the spot for me, as some seems a bit generic and like I said, almost a bit too afraid of offending — I mean, I am not saying that Contemporary Christian artists should be edgy and ridiculous but I just think sometimes it’s almost as if I get the vibe that some of the musicians are walking on nails because of this idea that they must retain the most wholesome and polished image possible. That is what I do not like about certain genres and how they can box an artist into a cage. Does that make any sense? For example, earlier this year, when Jennifer Knapp came out of the closet, it was as if the entire “Christian” industry that once supported her gasped and nearly died of shock. I mean, really?! I am getting off subject but the point is, these Christian artists are people too, and well, artists. And they should be able to explore all facets of their God-given talent.

Ok back to Brooke…

Yes, she’s a bit of pop/rock with a splash of folk influence. The music she creates doesn’t come off as too pious at all. It’s hook-driven and delivered in a vein that feels completely genuine to me. Yes, there’s something in the water Fraser’s been drinking, and it isn’t vodka, it’s the freedom to love without the fear of being judged. And I think that’s bloody awesome!

Fraser’s new album, Flags, will be out October 12th via Sony Music.

Check out Fraser’s Something In The Water music video, below.

So, I wholly dig Cee-Lo, I’m a Gnarls Barkley groupie, and completely adore the Goodie Mob. Needless to say, I am excited to write about Cee-Lo’s latest and greatest. Just when I thought I couldn’t be any more in love, I was hit with an amazing two words: Fuck You. (Mom, if you’re reading, I’m sorry). Yes, that’s right. The provoking title is clearly at odds with the song, which carries a gusty old school R&B flavor. A song that is written about that infamous phrase that we all yearn to say to SO many people, yet we can’t always do so (well now it’s a song up for discussion, so you can just send those particular people the message via this BTB link ).

First and foremost the video is smashing. It’s like a mixture of Dream Girls and Happy Days with an injection of Pleasantville, yet the message is nothing like the “oh so ideal” image. Irony in visual perfection. Cee-Lo is presently prepping a new solo album, The Lady Killer, due for discharge in October, and we can’t wait.

“I see you drivin’ around town, with the girl I love, and I’m like fuck you,” — come on, this is splendid. Combining soul with rap-scale crudity and profanity at its finest, Cee-Lo dominates with force, sugar, and significance. If the rest of The Lady Killer sounds like this, Cee-Lo might be able to send a few haters this message as well.

I can’t help but think about the individuals at Cee-Lo’s label yanking their hair out as they comprehend that this probable hit will punch some stumbling blocks when people are snubbed by the title. Although, if you ask me, it will be pretty damn appealing to see how far-off they can take a crusade with a song named Fuck You.

I smell an anthem! Take a listen and throw your fingers up.

BTB favorite, Brandon Flowers of the Killers, recently left his touch on the the 1981 Kim Carnes classic Bette Davis Eyes. The cover was performed at Troubadour in Los Angeles over this past weekend. I think the rendition is striking, diverse, and catchy. Just another reason to be eager for his solo release on September 14th!

What do you think of this cover? Watch below.

Submerge The Sky has dipped their quill into that expressive ink, and are spreading their thoughts on the page. Get a whiff from this dark manuscript, and you’ll be forever enrolled in their class.

They were giving away cds for free at The Warped Tour, and right away I knew they were special. An epiphany dawned when I let the music have its moment. With one swift snap of the chain, I was set free. And when your music can do that to a listener, you are destined to gather a following.

Being such a young band (only formed a few years ago), the professional taint they already have is, suffice to say, impressive. Starting with the simple sets, and moving up as a definitive spark in the thrash scene, they have a very noble, sturdy course, eyes set straight ahead. Best part is, they’re completely linked in goals and talent. As we all know, synchronicity can be hard to find in a world full of the ‘me, me, me’ mentality. But these guys are singing the tune of ‘we, we, we’, and doing it well. As lead singer David says: “The first time we got together in a room something clicked; it was like we fed off each others artistic abilities instantly and have grown together because of it.”

It’s time to unleash these musicians into the streets. Let them rip away the stages of some local venues, pour all their infinite skill into the eardrum of the teen populace, and watch the wonders that’ll unfold. We, the listeners, are empowered by choice, and a band has nothing to do but sit and hope to be chosen. We can either submissively listen to the mulch that rules the radio, or we can dare to dig around for something different, something striking, something like Submerge The Sky.

Six guys + a whole hunk of musical love = the best rock n’ roll equation of 2010.

Check out their cute Who’s Who video below, raid their Myspace page, and let the love roll!

[Related Post: BTB Works Charity Booth at 2010 Warped Tour]

I want to share a story with you.

I started BiggerThanBeyonce.Com because, as a writer and artist, I wanted to create a space with my fingerprints all over it — one in which my voice (along with countless other musicians and artists who I felt deserved the recognition, specifically those who are NOT rich and famous) could be heard. A place that wasn’t shallow or lame but was full of purpose and meaning and yet was still entertaining as hell (without having to resort to showing paparazzi crotch shots)!

BiggerThanBeyonce.Com, the name, is a play on this idea that there’s more to life than celebrity and fame — hence why there’s a focus on the humanitarian aspect featured throughout the site as well as music related to our spiritual journey as human beings (but don’t worry, there’s silly entertainment galore thrown into the mix, too). It’s also a play on the fact that there are many artists who could be just as big (horrible word choice, but I’ll use it in this instance) as someone like Ms. Knowles if only the right outlets of creative exposure would develop. Thus, why you’ll see numerous articles sharing the spotlight with the up & coming.

It has taken some time and serious hard work for the site to catch on, but I am getting there. WE are getting there. Together!

[Sidenote: We have never once claimed to be machines and thus you may find grammatical errors here and there. We try our best to make these limited for I am a perfectionist and it drives me freakin' bananas, but it's a blog and it's not that serious. So, if you happen to see an error, please get over it! We are not the New York Times.]

Also, I want to state (as most of you may already know) that I am in my 20s and living in one of the most expensive cities (NYC) in the world. I bring this up because I wanted to say that this idea has been built from the ground up. There has been no advertising other than what I’ve created on my own, no gigantic budget for publicity, and no PR agency behind the scenes to make sure millions of people see the site. And in all honesty, I am happy this is the case. I knew from the start that I wanted BTB to find its own wings and although we haven’t fully arrived (nowhere close), I feel we are getting there, thanks to readers just like you who most likely stumbled upon the site via Google (searching something Beyonce related or perhaps Eminem’s sobriety or “Glee Gay Sharks”, among various other random keyword combinations).

To everyone who reads this little site: THANK YOU. I speak not only for myself but for the other writers (Maria Ciezak and Caitlin Hoffman) as well, and for all the wonderful artists we have had a chance to interview, meet, and expose to the audience we’ve worked so hard at building here at BTB.

We are still a fairly new site and have a long ways to go and so we ask that if you enjoy what we present to you daily (Monday through Friday), that you share this website with friends. It would also be cool if you joined the Facebook fan page. Of course, these are all things that are a lot less important than what lies underneath…

The promo/teaser you’re about to see is a concept I constructed for the site quite some time ago, so it’s wonderful to see it finally come to life. This is such an incredibly personal project for me as I feel I have lived the life of every message you see in the promo — all insecurities or hurdles I’ve faced throughout my life to some degree — hurdles and insecurities that I knew were universal. I am very pleased with the outcome but I am most proud of the message in the promo — this idea that music has the power to wake us from our own hibernation, a sleep that often has us living obsessed with our flaws in a way that isn’t nurturing to what can be a “good life”. The song featured in the video is ‘Good Life’ by One Republic. If you read the blog you probably know that Ryan Tedder is one of my favorite songwriters/producers and I felt this particular track meshed perfectly with the message of the piece.

A huge thanks to the entire cast, which includes (in order of appearance):

(Rob Brayl – I’m seen in the opening/ending frames)
Tony Cortopassi
Andrea Shannon Young
Rafaele Rivera
Theo Sarcasmo
Edo Tastic
Alicia Fajardo
Jantra “Jo Jo” Silbert
Jessica Brasfield
Zackary Brett Hemenway
And puppy “Roscoe” (Isn’t he the cutest thing?)

Also, a major thanks to photographer/filmmaker Jordan Lindsay who shot the project.

Y’all are sexy on the inside and out!

Above all, thank you God for the love you give, even when the love I return is often broken and fragmented.

Enjoy the promo + a teaser from the shoot below. Please spread the word and feel free to post to Facebook, Twitter, Myspace and whatever else you turds may be using these days!

Nothing but love,
-Rob B.

Dear Taylor Swift,

This might sound cheesy or a little too sweet
But I don’t give a damn
For at the risk of being judged
I simply want to say…
Thank you for believing in love

While you were busy being vulnerably you
Writing with teardrops on your guitar
Other celebrities were off selfishly “living it up”…
Thank you for not stumbling out of clubs

And for that smile you crack when you give your fans hugs
For not showing young girls they should dabble in drugs
Or that beauty is all sex and no appeal
Thanks Taylor Swift, for keeping it real

I hope this message reaches you
And that it doesn’t seem creepy…
Or uncool

The end.

With Love,
Rob Brayl

Check out Taylor Swift’s just-released video to Mine, below.

American Bang is a band you must know. Hell yeah, the name is catchy fused to red, white and blue pride, bleeding through their lyrics, with stars on the side. Lead single, Wild and Young, is picking up radio play throughout the country, and their self-titled debut album hits stores today. It’s loud. It’s sexy. It’s soulful. It bangs.

This rock band from Nashville has something for all. Their unruly brand of Southern-fried garage rock packs a hell of a load. The track Whiskey Walk initially grabs your attention with an amazing tune up followed by a quick sick drum solo by Neil Mason — “All that I need is a reason to let it go, I know that you feel the same”. Drink this track straight, with water or ice, and it’s sure to make you feel tingly. The instrumental breaks in between the lyrics give you a sense of how talented the band is before the album proceeds. Flowing into the instantly anthemic Wild & Young, Jaren Johnston’s bluesy vocals feed off of Kelby Ray’s basslines, proving a confidence possessed by rock n’ roll veterans, although the band are technically rookies in the game. It expresses how life is diminutive, and we should enjoy it to every ounce — “Slow it down, you move a little too fast, ya make it last, these should be the best days of your life”. It’s then on to the messy, Stonesy romance of Hurts Like Hell, where it’s clear that American Bang pulls the trigger directly at the heart of great American rock ‘n roll. While touring all season on a red hot American summer, they want to thrive in the moment and enjoy the rise of triumph.

Citing their crock-pot of influences including Lenny Kravitz, Black Crowes, and The Sex Pistols, it’s balls-out rock with proto-punk energy. You may stumble upon the Kings of Leon comparison, but they are definitely not the same band, although it shouldn’t be surprising considering they are close in age, from the same city, and cite many of the same influences. The boys fancy to detain the astounding grace and guts of the band’s deep musical roots and Southern accent, right at the heart of American rock ‘n roll. It’s music that one can all relate to; young and fun, but meaningful in lyrical content. American bang is planning on stickin’ around for awhile. In their own words: “Didn’t wanna end up a fallen star on the boulevard”.

Building up a grass-roots audience by playing locally, earning a reputation for their high-energy, no-holds-barred live shows, these high school buddies will draw your attention. It’s not like much else out right now, for it makes you sing the blues, along with the reds and whites. Check out the video for the lead single below, and let the band take over America, with a loud ass bang.

[photography credit: ion magazine]

All hail the mighty power of PP!

Michael Angelakos of Passion Pit recently sat down with NME backstage at V Festival 2010. The frontman opens up in the interview, discussing Passion Pit’s live shows, as well as briefly talking about the process behind the recording of their new album. Angelakos mentions that the boys are taking their time while recording and hopes to align the album release with the Farmer’s Almanac, when life’s in bloom. Besides this deeper stuff, he also dishes on remixes, and personally liking songs just the way they are (sounds like he’s taken a cue from Bruno Mars).

Watch the interview below.

[Related Post: Passion Pit Drops 'Little Secrets']

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Country music legend and Backwoods Barbie, Dolly Parton, is set to appear on the big screen next to whom, you might ask? Queen Latifah, that’s who! Parton and Queen L on the same screen? You know what that means? This film has feel good written all over it!

Parton, 64, will appear in the upcoming Warner Bros. feature Joyful Noise – a film that centers around a small-town woman (Parton) who’s widowed by a church choir director and a mother (Latifah) who’s is placed in charge of the group. Directed by Todd Graff (2003’s indie Camp feature about misfits at a musical summer camp for teens), the script for Joyful Noise follows the two leading women in an effort to overcome their opinions of each other and save the choir (which might be going down to tubes due to budget cuts).

Parton and Latifah have both left their marks on the acting realm with their previous movie roles. Latifah is an Oscar nominee (for her acclaimed role in 2002’s Chicago), and Parton has certainly captured audiences and critics alike with her memorable roles in films like Nine to Five and The Best Little Whorehouse in Texas. The last time Parton graced the movie screen was in 1992’s Straight Talk.

Production on the film is scheduled to begin in January.

Besides being a personal hero of mine, Dolly makes the current musical landscape seem immensely shallow, when placed next to her own material, music that is deep fried and full of heart. Check out the incredibly vulnerable music video for Dagger Through The Heart, below.